I probably should tie off these Edinburgh Fringe witterings with a nice big bow.
On the last day attending shows at the Fringe, I saw Sofie Hagen. She was really good, with plenty of warnings about the power of men in family units. I then popped off to see 'Parsley', which was by Michael Brunström and it was all about parsley. He even had someone making parsley sauce.
I decided to end my Fringe experience with Transit, a big ole circus performance with lots of people jumping about. You'd think I'd find no inspiration for my own show here, but even that had structure and audience interaction and oodles of light and shade. After 20 shows in three days (technically three days and four hours), I became an expert in picking apart the building blocks of the stuff I was seeing.
Performance elements I liked throughout my time in Edinburgh:
> Unpredictability. Brian Gittins's volatility on a double decker bus as he allowed the audience to almost ruin the show is something that will stay with me for a long time.
> Failure. It was okay if things went wrong. Some phone responses during Siri seemed to misfire, and the balloon-throwing finale at Tape Face missed a beat because the 'victim' didn't follow his instructions. Indeed, the circus performers made mistakes. Doesn't matter. The ideas still worked.
> Generosity. From John Luke Roberts' ramshackle props to Joe Morpurgo's frenzied hijacking of his audience, my favourite moments were when the performer seemed to give abundantly to the audience. The ideas and jokes came quickly.
And things that turned me off:
> Just watching. I was less keen on performances that seemed a static, in which we were only onlookers. It wasn't so bad, though, if there were interesting things to look at - or if the performer(s) was a powerhouse.
> Laziness. By this, I mean, ideas that weren't explored enough. Bolting a theme onto already-written routines, or ideas that didn't go far enough. Wasted opportunities. Not that there was much of this - overall, I'm very happy with the shows I chose to attend this year.
I've been back from Edinburgh for a couple of days. I've been in a bit of a comedown funk, which is probably natural. I've had the Will Smith single 'Wild Wild West' going around my head. Which, as I commented on a friend's Facebook feed, is a tragedy. This is the curse of Will Smith. Despite 'Men In Black', 'Summertime', 'Miami', 'Boom Shake The Room', Gettin' Jiggy Wit It' AND the Fresh Prince theme, his weakest hit 'Wild Wild West' will always be the one that sticks.
This is the kind of thing I dwell on when I'm on a Fringe comedown.
This Edinburgh Fringe trip was an attempt to gain inspiration for my new show for The Lowry, which will premiere in May. Read more about all that here.